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Work of Bedřich Václavek in historical-sociological perspective
Horáková, Kristýna ; Šalanda, Bohuslav (advisor) ; Paulíček, Miroslav (referee)
Master's thesis describes the work of BedřichVáclavek in historical and sociological perspective. BedřichVáclavek was leading Marxist theorist, critic, esthetician, Germanist and folklorist. Its individual parts are treated at this thesis, like the evidence of his intellectual transformations over time. Emphasis is placed on a chronological line, which is accompanied by Václavek's work (criticism, theories, reflections, contributions in journals, collections and letter-writer). Thesis focuses primarily on summarizing on his work, where it comes to transitions from one artistic direction of a second, while takes into account the historical background reflecting the social situation on which Václavek responds. Theses tried to offer a comprehensive view of the versatility of Václavek's works, but also for his detailed biography, especially from birth and throughout the study (until 1922), which is the period when constructing patriotic thoughts and relationship to folklore. Master's thesis offers a viewofVáclavek'scontribution to the sociology ofliterature, whatwastheinspirationforsomecolleaguesof Václavek and hisfollowers. Keywords: sociology ofliterature, Bedřich Václavek, criticism, socialrealism, folklore, Olomouc and Václavek.
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The Controversy work of Bedřich Václavek in historical-sociological perspective
Horáková, Kristýna ; Šalanda, Bohuslav (advisor) ; Voříšek, Michael (referee)
Master's thesis describes the work of Bedřich Václavek in historical and sociological perspective. Bedřich Václavek was leading Marxist theorist, critic, esthetician, Germanist and folklorist. Its individual parts are treated at this thesis, like the evidence of his intellectual transformations over time. Emphasis is placed on a chronological line, which is accompanied by Václavek's work (criticism, theories, reflections, contributions in journals, collections and letter-writer). Thesis focuses primarily on the apparent controversy in his works, where it comes to transitions from one artistic direction of a second, while takes into account the historical background reflecting the social situation on which Václavek responds. Theses tried to offer a comprehensive view of the versatility of Václavek's works, but also for his detailed biography, especially from birth and throughout the study (until 1922), which is the period when constructing patriotic thoughts and relationship to folklore. Master's thesis offers a view of Václavek's contribution to the sociology of literature, what was the inspiration for some colleagues of Václavek and his followers. Key words: sociology of literature, Bedřich Václavek, criticism, social realism, folklore, Olomouc and Václavek.
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Between Text and Context. The Theory of the Literary field and Cultural Materialism as Models of Meditation
Šebek, Josef ; Vojvodík, Josef (advisor) ; Bílek, Petr (referee) ; Merhaut, Luboš (referee)
Between Text and Context: The Theory of the Literary Field and Cultural Materialism as Models of Mediation Josef Šebek, Mgr. Abstract In his dissertation Between Text and Context: The Theory of the Literary Field and Cultural Materialism as Models of Mediation the author deals with the problem of mediation between literary text and its social context. He focuses on two important contemporary context- oriented approaches to literature: the theory of literary field, developed by Pierre Bourdieu, and cultural materialism, first formulated by Raymond Williams and further elaborated by Alan Sinfield and Jonathan Dollimore. He interprets these two theories as basic, mutually complementary models of mediation: the theory of literary field presupposes the existence of a (semi-)autonomous literary micro-world, whereas cultural materialism stresses the full integration of the literary text into the social context, the "social material process" (Williams). After an introduction outlining the problem, the author concentrates on Bourdieu's theory of the literary field, his "new science of works," and on contemporary post-Bourdieusian approaches (those of Alain Viala, Anna Boschetti, Jacques Dubois, Gisèle Sapiro, Pascale Casanova, Bernard Lahire, Jérôme Meizoz, Geoffroy de Lagasnerie) which employ, develop, and modify...
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Reading Don DeLillo (Sociological Interpretation of Postmodern Literature)
Stehlík, Martin ; Paulíček, Miroslav (advisor) ; Balon, Jan (referee)
The relation between sociology and literature opens up a broad field for discussion because of their closeness. The diploma thesis pursues a rather uncommon approach to literature that searches for manifestations of sociological thought in literature in order to use them within contexts of thematically similar sociological theories. A considerable attention is paid to definition of this approach, especially in relation to standard methods of sociology of literature, and to subsequent formulation of its methodological starting-points. Sociological reading as introduced in the text interprets a literary work in the perspective of selected sociological theories to which the interpretation is reversely related in the following step. In the thesis the novel White Noise by Don DeLillo, a classical work of American postmodern fiction, is taken as an object of such interpretation. The theme of effects of the mass media in contemporary society marked out widely in the beginning is specified by selected theories of Jean Baudrillard and Niklas Luhmann. In the case of Baudrillard's theory of hyperreality and simulation, changes in relation between reality and representation, respectively disappearance of their traditional opposition, are concerned. Luhmann's social systems theory is used to explore the...
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Death and dying
NĚMCOVÁ, Veronika
The work briefly summarizes the understanding of death in the today´s society and in the history. It describes how death might be understood and defined by the today´s society. The first chapter deals with death in a historical context, its scope to the present time and how it might be understood by the current western society. The second chapter focuses on the reality of literature as a base for films. The third chapter deals with certain points like who stands behind the films production and how films affect their watchers. The fourth chapter is connected with the work of Karel Kachyňa. The fifth chapter deals with the current understanding of death. A part about children´s understanding of death (aged 2 -13) is there, too. The sixth chapter of the previous chapter in the work contexts the filmographic processing of death by Karel Kachyňa, a well-known director. It includes an analysis of his most significant films: the way Karel Kachyňa pictures and presents death and how it may be understood by us, the watchers.
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